I create sculptural ceramics conceived for interior space — objects that sit between fine art and design, defined by balance, restraint, and material presence. The work is not driven by function, but by orientation: how an object holds itself, how weight is distributed, how light moves across a surface, how a form quietly asserts itself within a room.

Each piece is shaped through an attentive, process-led approach rather than a predetermined outcome. Forms emerge through negotiation with material — stacking, tension, compression, and subtle variation — where decisions accumulate and resolution is reached through balance rather than symmetry. Surface is treated with similar restraint, allowing material character and proportion to carry the work without excess.

I work in southern Sweden, in a former industrial setting that has become integral to the practice. The surrounding post-industrial landscape — its roughness, economy, and quiet persistence — informs both material choices and visual language. Precision and care operate in deliberate contrast to this environment, grounding the work in a dialogue between control and contingency.

My background is in graphic and product design, where I spent many years working professionally before turning fully toward sculpture. That experience continues to inform the work through an attention to structure, proportion, and spatial clarity, while allowing intuition and material response to take precedence over formal systems.

The resulting objects are either unique or produced in tightly limited groupings. They are intended to function as spatial anchors — works that reward sustained looking, integrate naturally into architectural contexts, and hold their presence over time.