These porcelain vessels are formed through a controlled release of material. The porcelain is prepared slowly, then poured onto plaster, where movement and gravity establish its initial limits. At a precise moment of pliability, the sheet is lifted and dropped forcibly over a base form. From that point forward, the material is not altered.

The resulting forms register gravity, timing, and structural collapse as quiet spatial events. Asymmetry, soft deformation, and suspended edges are preserved rather than corrected, allowing the vessel to remain a record of how it came to rest. The interior is glazed for depth; the exterior remains matte, holding the surface as it was formed.

Conceived as sculptural focal points for interior environments, each vessel balances material discipline with physical uncertainty. The final form is not designed, but arrived at — shaped by preparation, release, and the conditions that follow.